Book Review: THE HOUSE OF LOST WHISPERS

Title: The House of Lost Whispers

Author: Jenni Keer

Publisher: Boldwood Books

Pages: 378

My GoodReads Rating: ⭐⭐⭐

 

In 1912, thirteen-year-old Olivia Davenport is orphaned when her father, author Jasper Davenport, and mother Selina die on the maiden voyage of the Titanic. Olivia is invited to live with her father’s friend, Sir Hugo Fairchild and his wife Cynthia and their four sons, Clarence, Louis, Howard and Benji, at their lavish home, Merriford Manor.

The new house becomes the setting for Olivia’s overactive imagination, which she uses to deal with her grief, imagining that her parents aren’t dead but that they have lost their memories and will someday find their way to her.

Moving to an unused part of the mansion, Olivia has the initially unsettling experience of being able to hear and converse with a man called Seth who seems to be living on the other side of the wall in her tower bedroom. Both think the other is a ghost or a product of their overwrought imaginations.

Meanwhile, with the war breaking out in Europe, Sir Hugo and Lady Cynthia watch with increasing dismay and sorrow, as one by one, three of their sons go to war and never return.

It’s only after the war that Olivia realizes that Seth lives in another world where her parents are alive. And now she wants to get to that other world. But how can she find a way into his world?

 

 

I liked Olivia, her imagination, her contentment in her solitude, her longing for her parents, her faither, her larger than life outlook, her willingness to stand up for the bullied, Benji. These are the traits that get her in trouble, pushing some of the events forward, particularly in the fate of Seth, the undergardener.

I liked that Olivia wasn’t coy but knew exactly what she wants with regard to her future and the role she wanted to play in it. That she imagines a life for herself that isn’t limited to marriage and keeping house. But the scene in which she pleasures herself and explores her own sexual awakening was unreal and completely out of sync with the reality of an older teenager in the aftermath of World War I.

Among the others, the only one I liked was Lady Cynthia, who had the only developing character arc to speak of. From being standoffish and reserved, she learns to show affection, to get past her hangups. It’s a pity she ceased to play a role in Olivia’s life in the section called After the War.

 

I was a little uncomfortable with the scenes between Olivia, as a child, and Seth, because of the vast age difference between the two. While these scenes are driven by her imagination, there is no explanation for why Seth should turn out to be the one big love of her life.

 

It’s also more than a little strange that Olivia, no stranger to grief after the death of her parents and then the death of her fiancé soon after, should suddenly forget him, and begin to imagine that a guy she really doesn’t know all that well is the one great love of her life. What’s more, she is not even mildly curious about her parents who are alive and well in the other world.

 

The novel suffers because it tries to become too many things at once. Until the 23 percent mark, nothing happens. When things start happening, the novel starts shifting from one genre to another.

 

In the first part, Before the War, we get a hint of magical realism. This part of the novel is more than a little bulky. While the boys are away, and Olivia is basically entertaining herself, these scenes and chapters were boring and ordinary. Nothing of any significance happens during this period.

 

In Part II, During the War, we get historical fiction, and even war fiction, of sorts. This was the part I liked the most. The author brings out well the sense of bravado and adventure with which young men went out to the battlefront, unaware of the horrors that awaited them. The victorious nations found themselves just as broken as those they had defeated.

Through Clarence, the author gives us her views on the utter futility of war. Clarence says, “As a species, why are we so destructive?”

His mother tells him, “Poetry won’t sustain you in the trenches,” when poetry is sometimes the only thing that has the power to get us through the dark times.

 

In Part III, After the War, the brief hint of magical realism returns, then gives way to romance and a bit of a mystery, when Olivia tries to uncover why Seth’s old love suddenly disappeared.

 

This is where the problem arises, with the book trying to be several books at once. The back-of-the-book synopsis gives us a sense of this being a time-slip, parallel world issue, but in time, the romance between Olivia and two other characters takes precedence. I was disappointed by this turn.

 

Also, the parallel world bit doesn’t show up until quite deep into the book, when we have almost despaired of even seeing it. The explanation of how the parallel world came into being was interesting, but then it was sidelined and the story ended up being just another historical romance.

 

The idea of another world being created out of nothing, a world in which the Titanic did not crash, unleashing a whole different set of possibilities and history, was interesting, but wasn’t explored on a larger scale. All we are left with is a world in which Olivia’s parents did not die, but the World War still took place.

 

It would have been better if the author had found some way of getting Olivia to the other world where her parents lived. Instead, we get a muffling of the parallel world in favour of making do with the current one.

 

I also disagree with the notion that Olivia and Seth are the same in both worlds. A person’s nature and character are heavily influenced by their experiences. An Olivia that had not known grief and sorrow would grow up to be very different from one that had. It would have been better if the book had ended without the forced and rushed happy ending.

 

(I read this book on NetGalley. Thank you to the author, the publisher and NetGalley.)